Blue Entertainment

It may have to do with that sinking-ship film (and all his dead wives).



by Ramin Setoodeh

Leonardo DiCaprio is one of the most respected actors of his generation (he’s 35), so why is he always so pissed off in the movies? It’s not for lack of admiration. Last year, Zac Efron and Chace Crawford were separately asked whose careers they’d like to emulate, and they both confessed their man crushes on Leo. A few weeks ago, The New York Times singled out DiCaprio as the rare star who escaped his tween past to become a real actor, as a kind of comfort to Twilight’s Robert Pattinson. The Guardian threw its weight behind a Brit in Harry Potter, asking: “Is Rupert Grint the new Leonardo DiCaprio?”

He might be, because the old Leo has clearly moved on. DiCaprio got his start on TV’s Growing Pains, earned an Oscar nod for What’s Eating Gilbert Grape, and then achieved titanic stardom in 1997 in a movie about a sinking ship. But then, instead of trading on his heartthrob looks, he leveraged his box-office muscle to work with A-list directors including Danny Boyle, Martin Scorsese, Ridley Scott, Sam Mendes, and now Christopher Nolan. For those of you counting at home, Inception is the third movie in a row in which DiCaprio’s crazy wife suddenly dies. (The other two: Revolutionary Road and Shutter Island, which, from the first shot, echoes Inception so closely it’s odd that DiCaprio made both films back to back.) DiCaprio’s career has been engineered to make audiences forget Titanic, but he has swung so far in the other direction that he has alienated the female fans who made him a star. That’s undoubtedly the idea, though that doesn’t make it a good one. He seems interested only in characters who project a certain kind of masochism, and misogyny. His best film of the decade, The Departed, featured a nearly all-male cast. He was nimble in Catch Me if You Can, but that was in 2002, the last time we saw DiCaprio in a comedy.

That’s not to say that DiCaprio should stay away from dramas, but he would help himself tremendously if he lightened up, costarred with an actress like Reese Witherspoon, or at least did a movie where his wife survives until the closing credits. What’s worse: DiCaprio has spawned a whole generation of actors who are so serious they’re making movies only for people on antidepressants. Efron dropped out of the Footloose remake to do Charlie St. Cloud, about a guy who talks to the ghost of his dead brother. Pattinson’s first post-Twilight movie, Remember Me, took place on September 11. Daniel Radcliffe took a break from Harry Potter to get naked with horses in Equus, and Shia LaBeouf, Tobey Maguire, and Jake Gyllenhaal are in some kind of mega–scowling contest. That leaves us with one heartthrob who isn’t afraid to play to his strengths, and his abs. Can Taylor Lautner actually act? The jury is still out, but he’s getting $7.5 million per movie. As the rare Hollywood hunk who isn’t afraid to smile, he deserves it.

Can you feel the excitement? In a mere four days, Inception will hit theaters, melt your face and take its rightful place as the biggest non-animated film of the summer. At least until Salt comes out next week and blows Inception out of the water. Wait, what? Ahead, Movieline dissects why Angelina Jolie’s summer action spectacle is poised to win the box office war with Christopher Nolan’s pedigreed mind-bender.



· Angelina Jolie
While Leonardo DiCaprio is forced to share the Inception marketing campaign with a cadre of character actors — he didn’t even get Russell Hammond status in the movie poster! — Angelina Jolie is the marketing campaign for Salt. And you know why? She’s the biggest actress in the world and probably behind only Will Smith and Johnny Depp on the worldwide-fame scale. People love Jolie; they like Leonardo DiCaprio. Don’t believe me? DiCaprio only has one $40-plus million opener on his resume (Shutter Island), Jolie has three.

· The release date
After Salt gets released on July 23, the summer might as well be over from a four-quadrant standpoint. To wit: The remaining releases are niche films with specific target audiences like Eat, Pray, Love, The Other Guys and Scott Pilgrim vs. The World. It just feels like Salt could be the one film that not only has legs, but will appeal to a wide variety of demographics. Inception probably will too — if only it didn’t slam into Salt seven days after its release.

· Running time
As Salt Fan Club president Jeffrey Wells revealed, Salt runs 95 minutes without credits; Inception runs for 148 minutes. Based on simple time telling skills, that means theaters will be able to squeeze more showings of Salt into a single day than Nolan’s epic. And that means a greater potential for dollars that even Inception’s IMAX screens won’t make up for.

· Accessibility
Without even seeing Salt, you can describe it to your friends in three words: Jolie as Bourne. Try using three words for Inception: Leo’s dream heist? Matrix with dreams? Bond as Matrix? Leo Ocean’s Matrix? Critics love it? Um, yeah. Inception might be better than Salt, but it certainly isn’t as straightforward.

· Expectations
The killer: With a sprawling cast, the “From the director of The Dark Knight” tag and maximum ubiquity, people are just plain expecting Inception to be the greatest movie of all-time (something critics are stoking with the comparisons to Stanley Kubrick). If/when Inception predictably falls short of all this hype, the backlash will begin fast and hard. Meanwhile, no one is expecting Salt to be anything other than a good-time action film with a major star doing crazy stunts. Advantage: Angelina.